The BLUE exhibition is part of a group show ‘Change the system,’ curated by Annemartine van Kesteren.
The exhibition ‘BLUE: Architecture of UN Peacekeeping Missions‘ was first exhibited as the Dutch entry to the 2016 Venice Architecture Biennale. The installation at the Boijman Museum includes elements such as the Design for Legacy models and the recommendation to the UN.
‘Spaces of Solidarity’ aims at examining community-driven spaces and spatial processes that pool and share resources to build social cohesion in times of crisis or absence of government, at a variety of scales, places, and contexts. ‘Spaces of Solidarity’ attempts to explore environments of community formation and open up a dialogue on the agency of design in enacting and facilitating actions of solidarity.
Borders shape and consolidate relations between states, people, jurisdictions, political entities, and territories, and they often lie at the center of conflict between them. They are tools entangled in complex socio-political and economic ecologies. While some borders are relatively stable, others are in a constant flow. They regulate economic relations and people’s access to places, resources, and rights.
The book will be published in 2018. It will include our entry to the 2016 Venice Architecture Biennale ‘BLUE: Architecture of UN Peacekeeping Missions’ and our ongoing investigation ‘Design for Legacy’ .
FAST was invited to develop and produce a breakout session for the 2017 Future Force Conference in The Hague.
The breakout session is part of our long term research, advocacy and design project ‘Design for Legacy.’ It aims at introducing architecture and urban design thinking into the planning processes of UN Peace Operations.
“Footprint 19 focuses on the more recent roles of architecture in the contemporary spaces of conflict. Departing from a spatial understanding of geopolitical, climatological and economical conflicts, the various contributions highlight the large scale and phenomenal transitions in the physical world and in society by extrapolating, through examples, the abundance of relations that can be traced between conflict, territory and architecture. Conflict areas often prove to be fertile grounds for innovation and for the emergence of new spatial forms. The issue reports on the state of perpetual global unrest in architecture through a series of articles and case studies that highlight the consequences of conflicts in the places and spaces that we inhabit. In the introduction, these are discussed as an interlinked global reality rather than as isolated incidents. In doing so, the contemporary spaces of conflict are positioned in the context of emerging global trends, conditions, and discourses in the attempt to address their indicative symptoms while reflecting on their underlying causes.”
Our long term research and design project “Design for Legacy,” and the exhibition “BLUE: Architecture of UN Peacekeeping Missions” at the Venice Architecture Biennale inspired a series of conversations and breakout sessions at the 2017 Future Force Conference.
We live in an increasingly unstable world, where internal conflicts have become increasingly internationalized, sectarian violence ravages cities and communities, and terrorist threats impact daily routines. This has lead to millions of destroyed homes, conditions of rampant distrust and fear, an unprecedented number of refugees, and the expansion of missions and initiatives for peace. Propelled by this context to critical engagement, this course aims to identify opportunities and challenges to design for peace.
“Architecture of Peace” at Harvard GSD ends with a discussion with Diane Davis, Sandi Hilal, Rosseta Elkin, Pham Phuong, Deen Sharp, Malkit Shoshan, Gizem Sucuoglu and Delia Wendel.
Sustaining Peace in an Urbanizing World is a long-term multidisciplinary effort to investigate opportunities for sustaining peace in urban environments that are outside the traditional toolbox of peace-making, peace-keeping and peace-building .
The growing pace of urbanization in conflict-affected countries, the notable increase in the displacement of people to urban areas, coupled with increasing inequality and insecurity within cities creates new challenges for humanitarian action, development, peacebuilding and peacekeeping. These trends require the United Nations, national governments, and the international system to integrate urban perspectives in their work, to devise appropriate and durable responses to multi-layered violence, conflict, and displacement, and to “leave no one behind”.
Sustaining Peace in an Urban World seeks to link The New Urban Agenda, with the outcomes of the recent reviews and processes, most notably on sustaining peace, peace operations, and sustainable development. The core objective is to uncover how urban perspectives can facilitate efforts to sustain peace, tapping into the constructive potential of cities to overcome current global challenges.
— EXTRACTION (@1partperbillion) November 28, 2016
“One might want to propose to burn down the Empire as an act of resistance and dissident, which most likely I’d support.
Burning something down, however, feels not right at this time, if for entirely personal reasons. My parents live in Haifa (Israel). Their house was caught in the line of the fire and burned a few days ago.
Even though it is entirely possible to polemicize on the relationship between the extraction of fossil fuels and the fires in Haifa, Bruno Latour is probably right to say that the Anthropocene requires action, not hope.
I like to think that between the polemics and
Aravena’s male suck-up to existing power the paternalistic posture of the Curator of the Biennale towards existing power structures, there is a more feminine, and maybe even oriental, approach to action that escapes the trap of smallness (and decay).
It is the loving nudging of existing power structures and systems to change, berating their crimes while nurturing the latent potentials and ideals embedded on a human level in these structures and systems.
Design is not only a great communication tool but also an integrator.
It might be that I am wrong in thinking such an approach will bring the drastic change this earth needs; in BLUE we see that it is easier to change the military’s rhetoric than its methods. These days, however, I am not yet ready for a good burn.”
In a previous post last year we mentioned the main theme for the Dutch Pavilion at the 15th International Architecture Exhibition in Venice (until 27th November 2016), but we haven’t reviewed this space yet. Since the architecture Biennale closes this week, let’s have a look at it today.
Ghost Town is a contribution to Le Journal des Laboratoires 2015 2016 and to the artist Yael Davids’s project ‘Objects in Diaspora’ on the distancing of geography and identity.
The text ‘Ghost Town’ is based on a transcript of a presentation.